Selasa, 16 November 2010

[V532.Ebook] Download A History of Narrative Film (Fifth Edition), by David A. Cook

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A History of Narrative Film (Fifth Edition), by David A. Cook

A trusted reference, a popular teaching text, and a well-written history is now bolder, briefer, and better than ever.

Sophisticated in its analytical content, current in its coverage, and informed throughout by fascinating historical and cultural contexts, A History of Narrative Film is one of the most respected and widely read texts in film studies. This Fifth Edition features a new chapter on twenty-first century film, and includes refreshed coverage of contemporary digital production, distribution, and consumption of film. Now 20% shorter, with new four-color design and an updated art program, A History of Narrative Film is also the only film history text available as an ebook.

  • Sales Rank: #211236 in Books
  • Published on: 2016-02-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.90" h x 1.30" w x 8.50" l, .0 pounds
  • Binding: Paperback
  • 864 pages

About the Author
David A. Cook is a Professor in the Department of Media Studies at the University of North Carolina, Greensboro. He is the author of Lost Illusions: American Cinema in the Shadow of Watergate and Vietnam, 1970-1979 (University of California Press, 2002).

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1 of 1 people found the following review helpful.
Of the world film history, Cook hits the sweet spot
By Uke Enthusiast
Choosing a textbook for a two-semester world film course is no easy trick, of the three I have used Cook, Thompson/Bordwell, and Mast/Kawin, I am most happy with Cook. Thompson/Bordwell covers film more broadly with great investment in documentary and experimental film and useful nods towards animation. Mast/Kawin offers much of the same, but the writing strikes me as even more encyclopedic than Thompson/Bordwell, which leads me to my problem with Thompson/Bordwell (and Mast/Kawin). Although Thompson and Bordwell make arguments throughout their book (for example, the discussion of French impressionism), there is no sustained argument. Cook's A History of Narrative Film offers a historical argument regarding narrative's development and ongoing significance to film as a medium. Using Cook in my classroom allows me to show how critical thinking is as important in writing history as information gathering. In class, I have something to press against in order for my students to understand history as something both subjective and objective, as both evidence and reasoning. However, since Cook doesn't invest as much in non-narrative film or animation, I need to pick up those topics, especially experimental film, which exists largely outside my students' cultural sphere. This is hardly onerous work.

For the 5th edition, Cook has cleaned up the text considerably, shunting many of what I called the laundry lists found in earlier editions to an online site. It's still a brick of a book, however, and no fun to carry back and forth to school, especially on a bicycle. Cook has expanded coverage of Eastern European, Nigerian, Thai, and recent American independent cinema. And he's also addressed developments with digital and 3D technologies.

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Sabtu, 13 November 2010

[D440.Ebook] Download Ebook Glencoe World History, Quizzes and Tests, by McGraw-Hill

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Glencoe World History, Quizzes and Tests, by McGraw-Hill

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  • Sales Rank: #1561664 in Books
  • Published on: 2002
  • Format: Import
  • Number of items: 1
  • Binding: Hardcover

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Kamis, 04 November 2010

[Y215.Ebook] Download PDF The Fender Telecaster, by A.R. Duchossoir

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The Fender Telecaster, by A.R. Duchossoir

(Reference). The Fender Telecaster is regarded as the first commercially successful solid body electric 'Spanish' guitar. Designed by Leo Fender at a time when the words rock and roll were not even coined, the 'Telly' is the senior member of a family of instruments whose sounds and looks helped revolutionize the world of popular music. This book relates the story of Telecaster Guitars since 1950 - everything you ever wanted to know is explored through lots of color and black and white photos, charts and interviews.

  • Sales Rank: #1034839 in Books
  • Brand: Hal Leonard
  • Model: HLE00183003
  • Published on: 1991-11-01
  • Released on: 1991-11-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.00" h x .22" w x 9.00" l, .65 pounds
  • Binding: Sheet music
  • 80 pages

About the Author
Duchossoir is a freelance writer who has been active in the field of guitar history since mid 70s.

James Burton is an American guitarist. A member of the rock and Roll Hall of Fame since 2001. Burton has been recognized by the Rockabilly Hall of Fame and the Musicians Hall of Fame and Museum. He is also known as the "Master of the Telecaster". Since the 1950's, Burton has recorded and performed with an array of notable singers, including Bob Luman, Dale Hawkins, Ricky Nelson, Elvis Presley, Johnny Cash, Merle Haggard, Glen Campbell, John Denver, Gram Parsons, Emmyloy Harris, Judy Collins, Jerry Lee Lewis, Claude King, Elvis Costello, Joe Osborn, Roy Orbison, Joni Mitchell, Townes Van Zandt, Steve Young, Vince Gill, Suzi Quatro and Allen Puddler Harris.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Duchossoir provides an excellent description. All the nitty gritty details are covered
By Jim Barnett
As usual, Duchossoir provides an excellent description. All the nitty gritty details are covered.

16 of 17 people found the following review helpful.
Wonderful Reference Book
By A Customer
If you want to know anything about the Senior Electric Fender Guitar, this is it. It is the best and most complete book about the Tele. It talks about:
Pickups, History of the Tele, Wiring, How to tell the age, it has some Great Pictures and much. much more.
A must have for any Tele owner.

10 of 10 people found the following review helpful.
This book sticks to its subject and explores it well
By A Customer
I bought this book after buying a Fender Telecaster guitar. The book is very informative as to the history of the guitar, from its origins in the early 50's through its various subtle changes over the years and up to the present time.
The book is both detailed and concise. It contains much info on the guitar, but not "more than you'd ever want to know." It is well-photographed, well written, and generally was everything I had hoped it would be when I ordered it.

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Selasa, 02 November 2010

[H941.Ebook] Download Ebook The Storm (H2O), by Virginia Bergin

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The Storm (H2O), by Virginia Bergin

DEADLY TO THE LAST DROP .

Ninety-seven percent of the population is dead. And the killer rain keeps falling. Ruby's not sure she can make it on her own much longer. So when a chance encounter leads her to a camp with the last boy she may ever kiss (it's not easy to date during an apocalypse), Ruby gratefully accepts the army's protection.
But safety comes with a price: If Ruby wants to stay, she must keep her eyes-and her mouth-shut.

Except Ruby stumbles across a secret she can't possibly keep. Horrified, she flips out and fights back-only to make the most shocking discovery of all...

Praise for H2O:
"Creepy and realistic. H2O left me thirsting for more." -Kristen Simmons, author of Article 5 and Breaking Point
"Ruby's candid, addicting narration brought this terrifying and wholly plausible story to life. This is a book you'll devour all at once-from the safety of your umbrella!" -Jessica Khoury, author of Origin and Vitro

  • Sales Rank: #28107 in Books
  • Published on: 2016-09-06
  • Released on: 2016-09-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.20" h x 1.00" w x 5.40" l, .0 pounds
  • Binding: Paperback
  • 336 pages

About the Author
Virginia Bergin works as a writer for TV, eLearning, and corporate projects. Most recently, she has been working in online education, creating interactive courses for The Open University. She lives in Bristol, England.

Excerpt. © Reprinted by permission. All rights reserved.

CHAPTER ONE

I was sinking.

That's how it is when you're all alone and there's been a global apocalypse and you're just hoping your dad is going to show up like he said he would but there's no sign of him so what exactly are you going to do if your dad doesn't come and every day you try hard not to think about that because...

Everything's going to be OK

is what you have to keep telling yourself but some part of you or maybe it's all of you thinks it isn't going to be OK so you try not to think at all but you can't stop thinking because pretty much everyone is dead and you've got nowhere to go and no one to go anywhere with and anyway who wants to go anywhere when THE SKY IS RAINING DEATH?

Yes, in an apocalypse-type situation, it's very easy to think bad things. In fact, there's SO much time for thinking, it's really easy to slide way beyond even regular apocalypse-type thinking into TOTAL COMPLETE AND UTTER DOOM THINKING...because there's about a million days when you're stuck inside because it's raining killer rain or it looks like it's going to rain killer rain or you just can't face another day in the library.

Yup, that's how bad things got: I broke into Dartbridge Public Library. Studying up on clouds (I know twenty-four different types!) didn't seem like it was going to be enough to get me through this thing. (Through it and into what? That was a whole other question, one best not asked.) My specialist areas of study were:

1. The self-help section. Oddly, there didn't seem to be that much on feeling a bit gloomy because human life on Earth as we know it has been wiped out-but you could tell people meant well. Ruby usefulness rating: 4/10.

2. Microbiology for people who quit biology at the end of eighth grade, weren't really all that interested in science, and weren't any good at it anyway. It's baffling and creepy. Ruby rating: 1/10.

3. Car maintenance for people who would have dropped that too if they'd tried to teach it to us in school (which they should have done). I would not have chosen to study this, but something happened. I'll explain later. Ruby rating: 10/10.

4. Survival manuals. Frankly, I could have learned most of this stuff when I was in Girl Scouts, but I tended to opt for the cake-making side of things (the benefits seemed more obvious at the time). However, not even the SAS (the Special Air Service = very, very good-at-surviving-stuff British Army crack force), who have handy tips on surviving a nuclear bomb going off right next to you, seem to have been able to have imagined this particular kind of disaster. Or maybe they did, but when people saw the chapter on how the army would abandon anyone they had no use for and we'd all be left to fend for ourselves, they complained that it was an outrage and a lie and the SAS were forced to take it out. (Even though it was TRUE.) Nevertheless, Ruby rating: 7/10 (because you never know).

5. Oh, and...one particularly sad and lonely day, I had a quick look at cellular telecommunications. There are no phones and no Internet anymore, so I was just curious, I suppose, about how difficult it'd be to build and run a thing like that. (Quite difficult, I think. Judging from the diagrams.) Ruby rating: 0/10.

My cell phone is at the top of a list of all the things there'll be no more of (currently 402 items long with the recent shock addition of chocolate spread; I was scooping the last fingerful out from under the rim of a jar when I realized supplies will eventually run out).

There are no people on this list. Their names, the names of the dead, are written on my heart. My small, sad, human heart. Hurt so bad it will never cry again.

Don't get me wrong. I cry. I cry plenty. I howl! But my heart? It is all cried out. It is silent.

I don't do pets anymore either. Apart from the risk that a single sloppy lick from a puddle drinker could kill you, they're nothing but heartbreak and trouble...and they're ganging up. There are probably small, mean teams of guinea pigs and rabbits, but the dogs are certainly hanging out together-I've seen packs of them roaming-and I've even seen loose affiliations of cats. Not Ruby, though-that's Mrs. Wallis's Siamese; she doesn't affiliate herself with anyone. She's still hanging around in a strictly unaffiliated sort of way, and she seems to be doing OK, though I sincerely hope her well-fed appearance has got nothing to do with the disappearance of Mrs. Wallis's shih tzu Mimi (last seen absconding from a car in the school parking lot and running in the direction of home), or indeed with the disappearance of Mrs. Wallis herself.

There is a shorter list of things I'm glad there'll be no more of, currently twelve items long. Exams come top, which I never would-"come top of the class," geddit?-so that's why they are numero uno. This list is a lot harder to think of stuff for, so it's brilliant when I do come up with something. The last time I thought of something-"No one can stop me from drinking whatever I like whenever I like!"-I drank to celebrate. I hit my mom's gin.

I remember standing, swaying, at the open front door, watching the rain pour down. I think I was talking to it. I wouldn't have been saying nice things.

When I woke up the next morning, alive, I crossed the drink thing off the list.

The thing about going a little crazy is it's hard to realize that's what's happening.

I stopped going to the library. (What do the SAS know? They're buffoons!) I stopped doing anything much, other than things I absolutely had to do-and even my grip on those got a bit shaky. I'd get up and think, I must clean my teeth...and it'd be bedtime before I got around to it-although bedtime itself got a little flexible. Sometimes it happened in the middle of the day; sometimes it happened all day. And sometimes, when it was supposed to be bedtime, because it was the middle of the night, it didn't happen at all.

One such night, I shaved my hair off. All of it. It seemed easier to do that than wash it. Easier, even, than trying to find a can of dry shampoo with anything left in it-when in any case, just like chocolate spread, supplies will run out eventually, so why not face facts? That's what I imagine I was thinking...when really I don't remember thinking anything much, just picking up my (looted) battery-powered lady shaver...and watching grubby clump-lettes of (dyed) black hair fall.

It should have been the head shaving that alerted me to how serious my situation was. Bit of a clue there. But all I ended up doing was adding the result to one of my other lists: the list of stupid things I've done.

That one's not written down either; it's just burned on my brain. It hurts.

My shaved head looked like a small, fuzzy globe, a planet...inside which strange things happened. Below the spiky surface, dark, wordless thoughts massed, rose, and sunk. Popped up again, doing the backstroke. Giggling. Or hidden deep in the goo of my mind, screaming messages that bubbled up, garbled.

All day, every day, all night, every night, my head simmered with nonsense. Sometimes it boiled. Until finally, there didn't seem to be anything very much left inside my head at all. Boiled dry, I guess. I don't think the thoughts had words anymore. First off, even the sensible, normal ones got texty: "I must clean my teeth" became "clean teeth." Then it was just "teeth." Then, when the words had pretty much stopped altogether, it was probably just "."

I was lost on Planet Ruby, where weeks and days and hours and minutes and seconds (there were some very long seconds) got muddled-and dreams and reality got muddled too. And nightmares, but they were pretty much only about as awful as what was real.

And it might have all gone on and on like that until I really did walk out in the rain (then it would stop), but finally SOMETHING HAPPENED TO ALERT ME TO HOW SERIOUS MY SITUATION WAS...

I crashed a Ferrari. Totaled it.

I was flooring it, coming around a bend (up on Dartmoor, I was about to realize), when I hit a patch of mist, part of which turned out not to be mist but a sheep, so I swerved and-

SCREECH!

KA-BLAM!

BOUFF!

The airbag thing smashed into my face. Only somehow my own hands had gotten involved.

OK, I know how. I like to do this fancy cross-hands thing when I'm turning corners. So, yeah, my own arms got biffed into my face by the airbag.

I sat there. Punched face screaming. Dazed-double dazed, because you want to know a terrible thing? I wasn't even sure about how I'd gotten there. I mean, I must have thought I should get out of the house for a bit-to go on an I-need-something-to-drink mission, most probably. (Supplies always seemed to be running low, but that was probably because time was running weird: one minute I'd have plenty of cola or whatever, and the next minute I'd be draining dregs and panicking.) But since I often thought I should do something and didn't do it or thought something had happened when it hadn't actually happened, I was seriously shocked to realize that this crash thing, apparently, had really happened. Though I only knew it for sure because IT HURT. OWWW. ARRRGH. OWWWWW.

WAKE UP, RUBY! WAKE UP!

The car was wrecked; I didn't even have to try to start it again-which I did-to know that. It had made out with a wall. They didn't like each other. Not one bit.

I got out of the car. My eyes were already stinging like something nasty had been flung into them. I put my hand up to my bashed nose and felt blood. I looked at the blood on my fingertips; then I squinted at the thing that would like to eat that blood.

Mist's a funny old thing, isn't it? Basically, it's just a cloud that's hit rock bottom. A cloud (stratus nebulosus, doncha know) that can no longer be bothered to get up into the sky. It drags its sorry self along the ground. Funny? It's hilarious, really: Is it going to kill you, or isn't it? How much of it-exactly-would have to settle on your skin before...

I could see that mist swirling and swelling toward me. I should have gotten back into the car and waited it out...but I have an emotional issue about being trapped in a car-particularly, in this case, one that had just SMASHED into a wall; probably anyone left alive in Devon would have heard that crash. Some scary someone-anyone could have been on their way to investigate. So-add this to the list of stupid things!-I didn't wait. I ran.

All I could think was: it was coming after me. But I could outrun it.

I bolted across the moor. I scrambled up-up-up. Up rocks. Up-up-up. Up-up-up. Stupid-stupid-stupid Ruby. Up-up-up.

Until there was no more up.

I knew I was at the top of Hay Tor not because I'm, like, really keen on long, rambling walks in scenic landscapes, but because there was no place higher to go; anyone who lives in Dartbridge knows this place because you can see it for miles around-when it's clear.

I stood on the rocks, where there was no place up-no place, no other or farther or higher place-watching the mist rise around me, puffing itself up like it was just remembering it could be a cloud that could get on up into that sky and rain.

I wiped at my throbbing nose, saw blood on the back of my hand. What if it could smell it? What if all those little wiggly-legged bacterium ET microblobs could smell my blood? What if they were all now paddling away like mad, waving their little tentacles, letting out little microsqueals of joy at the scent of breakfast?

I didn't know how that would be, having that thing, that disgusting little blood-gobbling, world-murdering thing get me slowly.

Bad? Very bad? Unimaginably, excruciatingly bad?

And lonely.

I was going to die alone on Hay Tor. My body would be pecked at by crows, nibbled on by sheep bored of grass. Foxes would come and have a good old chew on my bones-maybe drag a few back to the den for the cubs. Someone someday would put my rain-eaten, worm-licked, weather-worn skull on top of the highest stone, and Hay Tor would get a whole new name: Stupid Dead Girl Hill.

I stood. I roared.

No, that's just what I'd like to say I did.

I lost it.

I stood and I whimpered, and in the mist in front of me through stinging, weeping eyes, I saw the shadow of a someone-anyone. Fear crackled through me.

No one moved.

And they'd die if they stayed there, swallowed by the mist-and I felt my arms waving and I heard my own wrecked voice shouting, "COME ON!"

And the shadow-being waved back. She waved back.

And I saw she was me and wasn't real at all.

And I sat down on the rocks, weeping.

And the shadow girl sat too...and melted. She went away. Almost as quickly as she had appeared, she disappeared.

I knew what she was. I'd seen her in the cloud book. A rare thing-called a "brocken specter," when you see your own shadow in a cloud. Enough to spook anyone out. More than enough to spook me.

The mist went with her-the shadow ghost of me-burning off in the sun, until I was just a stupid girl with a punched face, sitting alone on Hay Tor.

Wake up, Ruby Morris.

Most helpful customer reviews

0 of 0 people found the following review helpful.
This is a great book for those readers who love apocalyptic type adventures
By Amazon Customer
This is a great book for those readers who love apocalyptic type adventures. I read the entire book in one day it was easy reading. This book is the second of what looks like might be a series. The book arrived packaged well and the book was new. The book arrived in great condition. I have already passed it on to a friend. I definitely recommend this book.

0 of 0 people found the following review helpful.
Pretty Good
By A Customer
I love books about the apocalypse, dystopian societies, and the like. This series was really interesting but written very weirdly, and I just couldn't really get over it. It's sort of like the author has so many ideas, and I don't feel that she explains everything. Despite that, it was still really good, it made me laugh. A lot.

0 of 0 people found the following review helpful.
Loved it
By naiya
Seemed a little rushed at the end but still good good read do recommend if you like apocalyptic books young read.

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[U526.Ebook] PDF Ebook A Jazz Odyssey: The Life of Oscar Peterson, by Oscar Peterson

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A Jazz Odyssey: The Life of Oscar Peterson, by Oscar Peterson

A Jazz Odyssey: The Life of Oscar Peterson, by Oscar Peterson



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A Jazz Odyssey: The Life of Oscar Peterson, by Oscar Peterson

Oscar Peterson's career as a jazz pianist has spanned over five decades. During that time, he has recorded nearly 90 albums, won seven Grammys, and earned lifetime achievement awards from the Black Theatre Workshop, the Peabody Conservatory of Music, and the National Academy of Recording Arts & Sciences. He has played with, and come to know, many of the genre's greatest contributors, including Ella Fitzgerald, Dizzy Gillespie, Count Basie, Nat King Cole, Louis Armstrong, and Duke Ellington. Peterson chronicles his storied career in A Jazz Odyssey: The Life of Oscar Peterson.Organized chronologically, A Jazz Odyssey takes readers through the development of jazz over the course of the late 20th century as seen by one of the jazz world's most celebrated figures. Peterson guides readers through the turbulent 1940s, when he was playing with the Johnny Holmes Orchestra in Montreal, and first met Norman Granz - the jazz producer who would launch his career. With Granz, he joined Jazz at the Philharmonic, playing at Carnegie Hall and touring all over North America. A Jazz Odyssey also brings readers to the birth of the Oscar Peterson Trio - where Peterson would hone his trademark arrangement of piano, guitar, and bass and work with the likes of Ray Brown, Barney Kessel, and Herb Ellis. Peterson describes the endless practice sessions and tireless work ethic that earned the group the reputation of the hardest working trio in the business. He also describes meeting his idol Art Tatum during the 1950s and touring with him in Jazz at the Philharmonic.A Jazz Odyssey explores the process behind cutting the dozens of albums that the Oscar Peterson Trio cut during the 1950s. The trio's incarnation at that time included Peterson, himself, in addition to Herb Ellis and Ray Brown - a group that would become known as one of the greatest jazz combinations of the time. Peterson calls the 1960s "years of unbelievable music," as Ellis's retirement brought the renowned Ed Thigpen into the trio. During the 1960s, Peterson also opened the Advanced School of Contemporary Music in Toronto, Ontario, and released his first major composition, "Canadian Suite." A Jazz Odyssey delves into Peterson's relationship with German millionaire and jazz fanatic Hans Georg Brunner-Schwer, a friendship which Peterson credits with helping him create some of his best recordings ever. A Jazz Odyssey looks at the new incarnations of the Oscar Peterson Trio during the 1970s, but also examines the great deal of philanthropic work Peterson did for the nation of Canada. Over time, he would be recognized as an outstanding advocate for Canadian culture, eventually winning the title of Officer of the Order of Canada from the national government. Oscar discusses his experiences through the 1980s and 90s, the period when he turned more toward composing than performing, and saw one of his goals come to fruition with the performance of his "Easter Suite" composition. Peterson speaks candidly about his personal life throughout A Jazz Odyssey - giving readers a rare look at the private life of the jazz star. He discusses meeting his wife early on in his career and the role that she played in his work. He also recalls the debilitating arthritis he dealt with throughout the 80s and 90s - the condition that would prevent him from going out on the road, even though touring had been his whole life up until then. With the humor and energy that has characterized his personality throughout his brilliant career, Peterson also talks about his life after his stroke in the mid-1990s.In 1997 Oscar Peterson received a Grammy for Lifetime Achievement and an International Jazz Hall of Fame Award, proof that he is still regarded as one of the greatest jazz musicians ever to play. A Jazz Odyssey is a revealing, fascinating look inside the career and life of a jazz world luminary.

  • Sales Rank: #1230601 in Books
  • Brand: Brand: Continuum
  • Published on: 2002-07-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.44" h x .95" w x 6.36" l, 1.65 pounds
  • Binding: Hardcover
  • 400 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
In this muddled and confusing autobiography, Canadian pianist Peterson pays a long-winded tribute to his many jazz pals in lieu of revealing much about his own life. It's a shame, considering so little is known about him; with well over 200 albums spanning six decades, Peterson (b. 1925) is widely considered one of the greatest and most prolific jazz musicians ever. Unfortunately, from the outset Peterson is a reluctant subject. He supplies some of the bare facts of his speedy rise to jazz superstardom from musical training under his Caribbean immigrant father, who administered lickings for wrong notes, to his being discovered in 1949 by legendary jazz promoter and Verve label owner Norman Granz, who set up Peterson's American debut at Carnegie Hall. There are some entertaining anecdotes, such the first time a wide-eyed Peterson attended one of Billie Holiday's drugged-up soir‚es and was met at the door by the tumbling body of her accompanist ("Billie was at the top of the stairs hurling invectives at him, and she ended this scene by throwing a couple of Coke bottles after him as he landed at my feet"). But there are never enough personal details to make Peterson come alive for readers. One hundred pages into this hefty tome, Peterson abruptly abandons his narrative to write a series of overwritten and uninsightful portraits of the jazz greats he's worked with, such as Lester Young and Coleman Hawkins; many vignettes are accompanied by poems. Instead of returning to the story of his life, Peterson chooses to end this odd book with a series of unrelated "essays" on great hotels and his experiences in the outdoors. B&w photos not seen by PW.
Copyright 2002 Cahners Business Information, Inc.

From Library Journal
The title of this autobiography says it all: the life of renowned jazz pianist Peterson (b. 1925) has truly been an odyssey. Born in Montreal to parents of West Indian descent, he first made a name for himself as a teenager in the Johnny Holmes Orchestra, Canada's top big band, before moving to New York City to record for RCA. During the 1950s, he became known as a gifted accompanist for Norman Granz's Jazz at the Philharmonic tours as well as for Dizzy Gillespie, Lester Young, Louis Armstrong, and Billie Holliday, among others. These encounters with the famous, along with his struggles with racism from a Canadian perspective, are all shared with great sincerity. Overseen by Palmer, the author of Oscar Peterson (o.p.), the narrative as a whole flows nicely. This latest entry on Peterson's life and work should help update other works, including Palmer's book and Gene Lees's Oscar Peterson: The Will To Swing, recently reissued by Cooper Square Press. Recommended for large public and academic libraries and wherever patrons are interested in jazz. [This is being issued in conjunction with a best-of CD, also titled A Jazz Odyssey (Verve). Ed.] Ronald S. Russ, Arkansas State Univ. Lib., Beeb.
- Ronald S. Russ, Arkansas State Univ. Lib., Beebe
Copyright 2002 Reed Business Information, Inc.

From Booklist
Because jazz musicians live in a misunderstood, often besieged insular world, there is a natural tendency to be on guard against mainstream society. Thus, jazz autobiographies tend to be less than candid. Legendary pianist Oscar Peterson largely avoids this sugarcoating effect in his thoughtfully introspective, often remarkably revealing self-examination of more than 50 years as a professional jazzman. Playing with chronology much as a jazz soloist plays with melody, Peterson begins with his childhood in Montreal and moves through his career as a musician but frequently veers off path for profiles of fellow jazz greats or reflections on such topics as politics, racism, and his personal life. The profiles are especially interesting for the insights into the musicianship of such stars as Ella Fitzgerald, Lester Young, and many others. Peterson's discussion of the dynamics of the jazz trio and, in particular, the styles of the many outstanding bassists with whom he has played is a particular highlight. His prose occasionally tends toward the flowery, but this is a small irritant in an otherwise fascinating look at the jazz life. Bill Ott
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

0 of 0 people found the following review helpful.
Recommended for lovers of great jazz pianists - autobiography
By swimmer
A great jazz pianist for decades, Oscar Peterson's music lives on on recordings. For OP fans, his stories of his life and times.

5 of 5 people found the following review helpful.
Delightful reading!
By Steve Dwiggins
Oscar's "autobiography" is delightful reading! It's written in a very conversational style. It covers various aspects of his youth, family, teachers and training, career, musical influences, and his fellow musicians. I have also read "The Will To Swing" by Gene Lees. Oscar's book is a great compliment to that book. It's nicer, in a way, since it's written by Oscar. The reader feels that we're meeting Oscar Peterson in person. In order to know Oscar beyond this, listen to the music. That was his life, after all!

4 of 5 people found the following review helpful.
The Title Says It All
By ladyjazz17
A wonderful book! about a life well lived and enjoyed, and thankfully Mr. P is still on the planet. I must take issue with the Publishers Weekly review; it does not follow a predictable format, and why would it? Anyone who has heard this musical giant in live performance or on recordings realizes that the superlative, wonderful music that pours from his soul and through his fingers is truly a Jazz Odyssey. OP may have some idea of where he wants it to go, but in the end his musical journey of surprise and discovery is ours too. This is a book to read and re-read - just like his recordings, you will discover something new that you missed the last time around. Kudos!

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